Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Mudchute Park and Farm
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Leake Street Squirts
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Wallace and Gromit
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Flanders Fog Walk
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Super Moon being Super Cool
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Leak Street
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Day of the Tentacle!
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London Sights
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London Sights
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London Sights
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London Sights
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Lady Justice
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London Sights
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London Sights
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London Sights
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Zimbabwe House
Sculptures by Jacob Epstein representing the development of science and the Ages of Man, his first major commission in London. The nakedness of many of these sculptures was considered shocking by certain sections of the press, with the London Evening Standard newspaper launching an attack on the sculptures as soon as the protective hoardings were removed. The newspaper claimed, that Epstein had erected a form of statuary which no careful father would wish his daughter, or no discriminating young man, his fiancée, to see. With the acquisition of the building by the Government of Southern Rhodesia in 1935 the battle over the statues continued as the Southern Rhodesian regime sought permission to have the sculptures removed. Despite claims that one of the heads of the sculptures fell onto a passer-by, thereby giving the Southern Rhodesians an excuse to mutilate the sculptures, there is no evidence that this is the case. Rather what seems to have happened is that a piece of one of the sculptures came away as bunting attached to them to celebrate the coronation of King George VI in 1936 was being removed. Epstein believed this was used by the Southern Rhodesians as an excuse to mutilate the statues on safety grounds. Despite protests, no independent survey was permitted and Epstein himself was refused permission to inspect the sculptures to see if they were as dangerous as claimed.
Zimbabwe House
Sculptures by Jacob Epstein representing the development of science and the Ages of Man, his first major commission in London. The nakedness of many of these sculptures was considered shocking by certain sections of the press, with the London Evening Standard newspaper launching an attack on the sculptures as soon as the protective hoardings were removed. The newspaper claimed, that Epstein had erected a form of statuary which no careful father would wish his daughter, or no discriminating young man, his fiancée, to see. With the acquisition of the building by the Government of Southern Rhodesia in 1935 the battle over the statues continued as the Southern Rhodesian regime sought permission to have the sculptures removed. Despite claims that one of the heads of the sculptures fell onto a passer-by, thereby giving the Southern Rhodesians an excuse to mutilate the sculptures, there is no evidence that this is the case. Rather what seems to have happened is that a piece of one of the sculptures came away as bunting attached to them to celebrate the coronation of King George VI in 1936 was being removed. Epstein believed this was used by the Southern Rhodesians as an excuse to mutilate the statues on safety grounds. Despite protests, no independent survey was permitted and Epstein himself was refused permission to inspect the sculptures to see if they were as dangerous as claimed.
Zimbabwe House
Sculptures by Jacob Epstein representing the development of science and the Ages of Man, his first major commission in London. The nakedness of many of these sculptures was considered shocking by certain sections of the press, with the London Evening Standard newspaper launching an attack on the sculptures as soon as the protective hoardings were removed. The newspaper claimed, that Epstein had erected a form of statuary which no careful father would wish his daughter, or no discriminating young man, his fiancée, to see. With the acquisition of the building by the Government of Southern Rhodesia in 1935 the battle over the statues continued as the Southern Rhodesian regime sought permission to have the sculptures removed. Despite claims that one of the heads of the sculptures fell onto a passer-by, thereby giving the Southern Rhodesians an excuse to mutilate the sculptures, there is no evidence that this is the case. Rather what seems to have happened is that a piece of one of the sculptures came away as bunting attached to them to celebrate the coronation of King George VI in 1936 was being removed. Epstein believed this was used by the Southern Rhodesians as an excuse to mutilate the statues on safety grounds. Despite protests, no independent survey was permitted and Epstein himself was refused permission to inspect the sculptures to see if they were as dangerous as claimed.
London Sights
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London Sights
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Gary Smiling For the Camera
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London Sights
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London Sights
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London Sights
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London Sights
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Tate Britain
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London Moon
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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Rando
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